We've listed the kits in price order to make it easier for you to find the right one for your budget. We've also filmed demo videos for almost all of the kits featured in this guide so you can hear the kits we tested in action and take a closer look. Our handy price widgets also display the latest and best prices from trusted retailers.
We've listed the kits in price order to make it easier for you to find the right one for your budget and there's a full review linked out at the bottom of each kit entry if you want to know more, too. If you'd rather get straight to our pick of the best electronic drum sets on the market today, then keep scrolling! Here you can read more about what e-kits are capable of and get useful guidance from our experts. If you’re here to learn more before you decide which is the best electronic drum set for you, click the 'buying advice' link in the navigation bar at the top of your screen. But with an ever-growing list of options, it can be tough knowing where to start. The electronic drum world has seen a high number of new kits entering the market over the last couple of years. The best electronic drum sets are capable of delivering everything from headphones-based quiet practice alongside excellent tuition tools, right up to effortless recording functionality and so much more.
Then there are pro drummers who need reliability, performance and control over their sound, both live and in the studio. Many drummers want to practice drums at home, but are restricted by how much noise they can make, meaning an acoustic kit is a total no-go zone. Visit their website for more info - of your needs, there’s an electronic drum set to suit every type of player. This whole kit is available through 3rd & 4th Drums in Nashville, TN. The snare and tom are being lightly suspended with TnR Little Booty Shakers and the floor tom with Big Booty Shakers. 20” medium Jazz crash, 24” medium Jazz crash and 22” light Jazz crash. From left to right they are: 17” Jazz hats. Snare and toms are in medium to high tuning and the bass drum is medium to low tuning. The kit is equipped with Evans Calftone drum heads and no muffling in or on any drum. I asked him to come over and take this Yamaha C-200 for a spin. The video below is a very good friend of mine, Eric Berringer, who lives here in Nashville, TN.
This kit also came with their special Yamaha plastic heads. Shell construction are birch shells with mahogany inner core and beech re-rings. You could see why the flood of MIJ kits flooding the states put pressure on Ludwig to create the “Standard” (cheaper hardware and less manpower) line which cost around $350 in 1968.
These D series kits came in 8 beautiful wraps and cost around $400 compared to a brand new Ludwig which were around $700. This method doesn't require the wood and glue to be put under high temperatures to create a bond. Once this is done, they stick an airbag in the middle of the shell so the glue is evenly spread throughout the drum. Each seam is staggered 120 degrees so that the tension of the shell is evenly spaced. Once they overlap the diagonal unto itself they hit the joints so they are locked in. The ends of the master ply are cut diagonally, ran through the glue machine and then put into the mold. From their first conception, these drums were made from birch. In 1967, Yamaha introduced their first drum set - the D20 and D30. That’s one of the most accurate ways to identify Made in Japan drums. Unlike the popular drums which were made of maple and mahogany…these kits where made with cheap vertical grain wood called Luan. One of the faults of these “copy cat” mass produced stencil kit was quality control. Some even copied Slingerland lugs to the T. Some dressed in beautiful wraps like fantasia pearl, tiger eye and other attractive and wild wraps. But you may have heard of the companies who massed produced them - Pearl and Tama.
You may have never heard of 1960s or 1970s drum companies.